creative non-fiction

Writing Manifesto

27 May, 2012

most writers need a little prod now and then - here's one I jotted to myself while attending two writing conferences this week:

You are a writer.

When you write, it matters that you put words down
and work with them. Again and again.
What will come of that is, simply, written work.
Words work.
 
You think ahead, you think back
but the work of a writer is here, now,
on this page. This word - and the next.
 
Don’t stop to look both ways.
 
Pick up the words where last you left them.
 
A writer is the architect, engineer, construction manager,
electrician, labourer and finishing carpenter of the document.
Most of the hours are labour.
 
Work. Now.
 
 

The risks and rewards of Life Writing

31 October, 2011

What are the risks of writing non-fiction about real people, real family heartbreaks, real relationship challenges? Does writing about life’s difficulties produce any catharsis and relief? Why would a writer want to revisit tragedies in his or her past?

LifeWriting2.jpgThose were just a few of the questions addressed last week by authors Barbara Stewart, Lynne Van Luven and Jane Johnston. In an engaging evening panel discussion at Cadboro Bay Book Co., the three shared their experiences and insights as writers and, in Van Luven’s case, as an editor of many others’ memoirs.
 

Deep inside the questions

30 July, 2011

Do readers care about the authenticity of a non-fiction writer’s stories?

Do readers even differentiate between fiction and non-fiction? nonfictionbookcartoon.jpg

What are our expectations of the stories we read and their connection to some sort of external, factual, reality?
 
Writers grapple with these questions all the time. Readers, perhaps, less so.
 
The high-profile controversy of James Frey, Oprah, and A Million Little Pieces won’t be further clarified by anything I say about it. Interesting, though, to see that the Wikipedia entry on the book now classifies it as a “semi-fictional memoir.” Whatever that is.
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